In order to remind me and to show it to you I made a small movie. At the end I had almost forgotten how the sounds and instruments were created. And I made my first experiments with composing and mixing surround music.Īll in all it took me almost one year to finish it. The process of preparation of "whistle the night" was a training for using Native Instruments Kontakt and Reaktor software. Which exclusively uses sounds of the whistle without the actual whistle sound ever appearing.
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Encouraged by this generous gift I started to think about how to prepare a piece of music Knowing that I use various sounds to make music friends made me a special birthday gift:Ī blue plastic whistle. It is a joke rather than a serious piece of music. Your browser does not seem to support the HTML5 audio element. But it is a good representation the sound. So please forgive me the flaws.įor those who do not have a chance to listen to 5.1 music there is a stereo mix which, of course, Finally, the filtered sound reappears at the end closing a meditative sequence.Įscalator is my first serious surround mix after a quite some experiments. In the second part a granular filter creates a The technical sound is contrasted by classical strings. In the first part it is close to natural and The sound appears in the music in different ways. This piece is based on the sound of an escalator.Īctually, it was a conveyor at an air port but the word escalator sounds better. For others, including myself it is a process that takes a while. For some of us this takes just a blink of an eye. Waking up means adjusting again to the generic pace of things. Although if I sleep everything seems slower, even the travel of the seconds hand. It captures nicely the tensionīetween calm and rush, between slowness and speed which one can experience during an airplane travel. The base sequence of the Podolski runs through the whole piece. It happened that number three became a round thing first.Īnd this is largely due to the great sound of a rather simple virtual analogue synthesizer named Podolski.
A person talked to a group, left and went on to others starting a new conversation. For a moment I was just an observer of the scene. Then one day I stood in a crowd of people talking to each other. But it felt incomplete something seemed to be missing.
Then it took another year to elaborate, to tune, to tweak, to tweak again. The idea needed to mature for more than two years until the structure apeared. This is a place for friends of surround music, quite a bit off the beaten tracks of mainstream.Ī while after I made the escalator I realized that there is more than the three parts in the finished piece.
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